Cover Story

Do you ever get the feeling that something is cursed and the universe is telling you that going ahead with it will lead to your ultimate destruction? But you continue anyway in the vain hope when the day comes, the universe gets distracted by something shiny on the ground? In our case, that ‘something’ is The Malignant Dead. We get the feeling Fate doesn’t want us to release it. We don’t know why – we agreed not to release the stories of that time we caught her- anyhoo, we had the cover, it looked stunning and we sent off a press release with it and bought promo material. Createspace sent us a proof copy. It was too dark. Most of the plague doctor can’t be seen. Lizzie lightened him and we adjusted the photo on the back cover. We sent off for another proof copy, this time paying extra for the fastest delivery.

It looked no different.

Bandit holding Cat's hand through the Photoshop ordeal

Bandit holding Cat’s hand through the Photoshop ordeal

There was only one thing for it: change the black background. We found a misty one on 123rf.com and thought it would be a simple case of swapping the black for the new background. It took us two friggin’ hours! For a start, we couldn’t just swap it – no, we had to resize it to match the covers and spine. Then it didn’t fit on the print template – it was too small. For the other one, we cheated and filled the background in black. We tried this, continuously having to delete and resize the misty background to fit, and you could clearly see the cover on top of the background. We obviously weren’t going to be able to cheat this time. So we had to resize the cover. Several times. We probably should’ve asked someone who doesn’t hate Photoshop to do this, but we are so pushed for time, we can’t ask someone to drop everything they’re doing for us. We finally beat Photoshop into submission and sent the cover off for review.

They rejected it.

So this morning, we adjusted it to make sure it’s in the damn bleed area and sent it for another review.

We know most writers when they have a book coming out/ newly released, are gushing over their new baby. We now hate this book with the passion of a thousand burning witches. Which is a shame because it’s been one of our favourites to work on and we’re sad that we can’t work on it anymore.

We have a problem – we don’t think we have time for another proof copy. We have to have the books for our launch on Halloween and if we get another proof, we risk the books not coming in time unless we pay for the fastest shipping, in which case we’ll have zero profits. They come from America, so take a while. And customs once seized Deadly Reflections so they took months to get to us after we had to beg them to release it and pay a fine. If customs seize The Malignant Dead, we have no book launch. If we don’t get another proof, we risk the book looking terrible. We need more time. But we’re going to America next week and time is something we don’t have. We’ve had book launches without books before – Bad Romance and Romance Is Dead didn’t go live until the evening – but they were virtual launches and it’s never mattered if we haven’t had the print books. But this is a book signing. We need the books. And we need them before we fly to Scotland on October 29th.

We’re not changing the ebook cover – that one is staying black. We like the black and if we change it, it means our promo material was a waste of money. And we hate wasting money almost as much as we hate wasting time. We are so stressed, we can feel the frustration knotting in our chests. And we had our last therapy session on Monday. This is a bad time to be cut off from the people who keep us sane. We’re supposed to be excited about our first trip outside the UK but we can’t even concentrate on that at the moment. We are almost ready to throw away our atheism, adopt an ancient god and sacrifice someone to him in the hope that this will end well.

But this is our book. And our books never have happy endings.

Here is the new version. You can pre-order the Kindle version here – Amazon UK  Amazon US  Smashwords Read chapter one here.TMD mist

The Malignant Dead cover reveal

*drum roll* We can finally reveal to you The Malignant Dead’s cover! *Tugs on curtain. Frowns as it gets stuck. Tugs harder. Winces at the crash.* Well that wasn’t supposed to happen.

The Malignant Dead

We think you’ll agree that our artist, River Rose (who did Disenchanted  and Deadly Reflections’ covers) has done a fantastic job. This has probably been the most stressful book release we have ever had. And in the history of Raven releases, that says a lot. We’ve had releases without books when Amazon cocks up, but this was the first time we had to cancel a release, back in June. But finally, it is all ready for it’s Halloween launch, which we will be having in Falkirk, Scotland, thanks to Julie and Dee at Trinity Moon, who stock our books.

And we will also be at Bristol Horror Con on Saturday October 17th! Yep, they’re letting us have a table. Tickets are available here. So come along and say hi, just so we look marginally popular. Or if you’re too shy to say hello, just stand by our table, which is our usual method.

Read chapter one here

And here is The Malignant Dead’s book trailer!

The book is now available for pre-order on Amazon UK US and Smashwords 

The Malignant Dead

We’re hoping to release our plague doctor novella, The Malignant Dead soon. We’ve loved working on it and are excited to release it. In the meantime, here’s the first chapter. Enjoy!

Chapter 1

1645. The year Scotland died.

Glazed eyes of the dead watched the cloaked figure creep through Edinburgh’s cobbled streets, his beaked mask casting monstrous shadows that slunk along the crumbling walls. People edged away, whispering ‘Doctor Death’. Where he walked, Death followed.

Rotting bodies lay entangled in the alleys; the June sun and north wind conspiring to poison the air with the foul odour of decay. One body groaned as black rats investigated her. Although her flesh had decomposed, she was still alive.

Dirty white rags dangled from windows, like hanging men left on gallows for the city to witness their shame. Retching coughs and screams smothered the pitiful moans. Death no longer loitered in the shadows, veiled beyond people’s nightmares; he prowled the streets, taking people where they stood. There was nowhere left for them to hide.

The figure stopped at a door. Red paint dripped like blood from a mortal wound.

May the Lord have mercy on our souls.

The words scrawled above the foot-long cross filled McCrae not with hope, but dread.

McCrae touched the cross. “There is no mercy here.”

He wiped the paint on his leather cloak, leaving a scarlet smear. He must be mad. He wasn’t a doctor. He was yet to cure an infected wound, yet he hoped to cure the plague. He could not even see out of the damn mask. He adjusted it then leaned down to tuck his leather breeches into his boots.

He beckoned a watchman, who crossed the narrow wynd and unlocked the door, his pipe clamped between his teeth. McCrae stepped inside the tenement. Gloom swallowed him, the smell of putrefaction lingering despite the herbs hanging in the window. Smoke infused the air from the brimstone burning by the hearth.

The stench of Hell.

Mrs Calhoun emerged from the bedroom, her haunted eyes revealing Death had visited her home. McCrae nodded and entered the small room. Rancid odours stirred his stomach. A man lay on the bed, blankets clutched in his decomposing fists. A shrivelled rabbit’s foot dangled off a leather thong around his neck. His mouth hung open, as though Death came before he finished his scream. Pus from the burst bubo in his armpit trickled down his blackened, festering skin. Flies crawled over his face. The buzzing of their wings became the music to die to.

McCrae stared down at him, gripping his bag. His hooded cloak felt heavy on his shoulders.

“I had hoped you could help me.”

McCrae unrolled the man’s nightshirt sleeves then picked him up.

“Don’t do this.”

He turned. Mrs Calhoun blocked the doorway, fingering the heart pendant around her neck.

“I cannot leave him to rot. The infection could spread to you, if it is yet to take hold.”

“Don’t undertake this role. It is not worth it.”

“The Guild of Surgeons and Barbers’ apprentice fee is forty shillings. I cannot afford that on a market trader’s wage. I will quit once I have cured this pest and settled my debt with my friend James.”

“John did not see a penny of the wage the council promised. He ‘did not live long enough to earn it’.” She gestured towards her dead husband. “Do you know how long John was the plague doctor? A week. How long have you been the plague doctor?”

McCrae glanced at the man in his arms. “Doctor Petrie is my first patient.”

Mrs Calhoun’s eyes brimmed with pity. “How old are you?”

“Twenty six.”

“Do you know what awaits you?”

“I have read about the treatments.”

“You won’t find the cure amongst the pages of a book. All John’s superstitions – the chicken tail feathers, plague water and frogs’ legs he gave his patients – could not save him. That lucky charm around his neck could not save him. Nothing could have saved him. Not even you. His parents died three days ago. He could not save them. Next week, the new plague doctor will put you on the cart while your betrothed weeps at your bedside. Tell me then it is worth the money.”

Mrs Calhoun walked away as McCrae carried his predecessor to the door. He knocked. The watchman opened it and McCrae stepped into dying sunlight, where a cart waited. He laid John on the bodies then followed the cart. John’s glassy gaze fixed on him, as though forewarning him of the horrors to come. McCrae looked away.

A carriage jolted past, heading for the Flodden Wall, burdened with a family and their belongings. The mother averted her eyes and hugged a bairn to her, as though the mere sight of McCrae would infect her.

“You cannot outrun Death.”

The wheels of the next death cart rolling behind him drowned out the fleeing carriage.

A man staggered along Cowgate, weaving between the cattle before falling to his knees in the filth. He vomited; blood spattering his hands, the street, and the dead bairn he embraced.

McCrae’s cloak creaked as he knelt and reached for the bairn.

“No!” The man scrambled away, cradling her to his chest. “Yer the devil!”

“I’m yer only hope.”

McCrae eased the bairn from the man’s arms and placed her on a barrow between two dead women. The wheels trundled forwards, the death bell tinkling, the bodies’ limbs flopping with the cart’s jerky movements.

“Bring out yer dead!” echoed through the street.

McCrae helped the man up. “Where do you live–?”

“William.”

William shuffled along Cowgate, which ran parallel to the High Street, and turned right into Borthwick’s Wynd. He stopped at a door bearing a scarlet cross. McCrae ushered William inside, motioning to a watchman down the street. He locked the door from outside. McCrae’s eyes slowly adjusted to the dim room, lit only by the hearth.

“I’m McCrae.” The large beak muffled his voice. Sweet herbs, dried flowers and bergamot oil masked some odours but nothing concealed death’s putrid perfume.

“You cannot help us, yer no doctor. Go back to yer market stall where you belong.”

“I’m the only one willing to help you.”

“Until the council’s money runs out. I want John.”

“John is dead. I can fetch his corpse from the cart if you wish but he will be as helpful to you as my family’s linen would be.”

Laboured breathing rattled from the bed in the corner. An elderly couple slept in another bed.

“Why do they lock us in?”

“Because if they didn’t, more folk would die.”

McCrae moved to the writhing fire and laid a poker in the flames. William wheezed, his legs buckling. McCrae crouched, removing a lance and a rag from his pocket.

“I’m sorry, this will hurt.”

He unbuttoned William’s shirt and pierced the apple-sized bubo in his armpit. William hissed as blood and pus burst from his decaying flesh. McCrae dabbed the weeping wound with the rag, swallowing the vomit threatening to choke him. Would he get used to the sights, the smells of this wretched disease? Would he live to see it cured? Or would he become just another corpse rotting in the pit while the city died above him?

“Why has this happened? We stopped bathing because Pastor Matthews said the dirt would keep the pest away and that God would punish us for our pride.”

McCrae examined William’s blackened fingers and green nails. “God punishes murderers, not folk who bathe.” He collected the poker.

William flexed his fingers. “What’s happening to them?”

“Yer body is dying around you.” McCrae wiped William’s brow then slipped a stick into his mouth. “Bite.” He thrust the glowing poker into the bubo, the rancid smell of burning flesh tainting the air. McCrae heaved, clenching his jaw to stop himself vomiting over his mask and his patient.

William screamed.

McCrae’s medical books and cadavers had not prepared him for treating the living dead. Corpses didn’t scream.

McCrae ran to the door, pounding on it like a still-warm body begging to be released from its grave. The watchman opened it. McCrae fell to his knees and tugged off his mask, vomiting into the dirt. He rested his hands on his thighs, gasping in the warm air. William’s decay festered in his nostrils. He heaved and spat.

The watchman chuckled. “They don’t smell like linen, do they laddie?”

McCrae wiped his mouth and shot him a contemptuous look. “They’re infected – what’s yer excuse?” He stood, pulling on his mask, and entered the tenement.

“Is anyone else infected?”

“My wife, Agnes.” William coughed, blood streaking his chin.

McCrae patted his shoulder with his gloved hand and approached the bed. The rough breaths of the dying had silenced. A woman on the straw mattress cradled a five-year-old lad. At the foot of the bed, an eight-year-old lass lay curled up, clutching a doll.

McCrae brushed the lass’s damp hair from her face. A small bubo lurked behind her ear.

She shrieked and wrenched back. “Mammy!”

“I’m a doctor,” McCrae whispered.

She gripped her doll, crying as he lanced the swelling. He examined the lad. Red roses covered his pale, sweaty skin. He hugged his mother, his eyes wide.

“Are they–?”

McCrae nodded. Tears trickled from William’s red eyes. McCrae checked Agnes’s pulse then lowered his head. “I’m sorry.”

“No!” William pushed McCrae aside and hugged his wife. “Agnes!”

McCrae grabbed the bed. His heart ached at the thought of losing Katrein this way. William collapsed, pulling Agnes into his lap. He sobbed, kissing her face.

“Bring out yer dead!”

“I’m sorry William. I must take her.” McCrae prised Agnes from William’s arms and carried her to the door. He knocked. The watchman opened it, covering his face.

McCrae whistled and the cart stopped. He laid Agnes in the back.

“You must be the new fella. You’ll get a reputation for killing yer patients.” The barrowman chuckled. Grey sprinkled his dark hair, like stray ashes had fallen from the sky from the remains of the witches Scotland had burned. Even with the black rag covering his mouth and nose, McCrae recognised Hamish Reid.

McCrae patted the grey pony, Bran, who shied away. “That’s why they call me Doctor Death.”

“McCrae?” Hamish peered through the beak’s round glass eyeholes. “Samhain’s not until October. There’ll be no begging and celebration this year.”

“There’ll be plenty of spirits to welcome.”

“You should see him without the costume,” Hamish’s twenty-year-old passenger whispered.

“How are you, Hamish?” McCrae asked.

“Better than my passengers. They’re a wee bit quiet today.” Hamish jerked his thumb towards his cart then elbowed the woman beside him. “Though Katrein’s broth is trying to kill me.”

“Every day it fails,” she replied. Hamish laughed.

“Katrein!” McCrae circled Bran, who nipped at him.

“Are you trying to frighten yer patients into their graves, Alex?”

“Some say evil spirits caused this, and the mask frightens them away.”

“You believe them? For shame. I thought you were a man of science, not superstition.”

McCrae helped Katrein down. She wore her black nurse’s habit, her soot-coloured hair escaping her cap.

“Why did you not tell me you had accepted?” she asked.

“You’d try to stop me.”

“I don’t want you to die. The thought of riding in Hamish’s cart with you dead in the back terrifies me. But you’ll be a wonderful doctor. Even if you look like a monster.”

“Folk will never accept me as a doctor. The way they would not be happy if the flescher became king.”

“You do not accept the role you were born into. Folk cannot understand that.”

“At least they don’t have to worry about you becoming king.” Hamish laughed. “Yer manners and fists would see you on the gallows, not the throne.”

McCrae smiled, though they could not see it. He stroked Katrein’s hair. “Stop riding in Hamish’s cart. The dead could be contagious. I don’t know what causes the plague, how it spreads. I refuse to believe this is an act of God.”

“Witchcraft,” Hamish said.

“It’s a disease, not a curse.”

“Just because you cannot see the world beyond this one, does not mean it’s not there. If they were not witches, why did the council burn them?”

“If this is caused by witchcraft, why did it not stop after Agnes Finnie was executed in March?”

“She’s not the only witch in Edinburgh.”

Katrein smiled at their exchange. “I’m treating a woman’s broken ankle in Grassmarket. Hamish is taking me.”

McCrae groaned. “Will you ever obey rules?”

She stood on her toes and kissed his mask’s cheek. “If you wanted someone obedient, you would not be marrying me.”

“Each one of my grey hairs is caused by trying to control this one,” Hamish said.

Katrein hitched her skirt and climbed into the trap. “If my broth hasn’t killed my cousin, the pest won’t kill me.”

Hamish leaned over and tugged McCrae’s beak. “Yer not putting me in the back of my cart, birdman.” He flicked the reins and Bran walked on. “Bring out yer dead!”

Katrein blew McCrae a kiss.

Searchers entered tenements, scouring for the dead, the dying and the diseased. One searcher emerged, her face grim as she painted a crimson cross on the door and hung a white rag from the window. McCrae sighed, each cross a stain on his soul. Paint dripped down the wood, bleeding into the words.

May the Lord have mercy on our souls.

The Malignant Dead is available for pre-order. Amazon UK   Amazon US   Smashwords

Our Writing Process

This post is a little different. It doesn’t contain our adventures of yet another pedestrian zone embarrassment or our awkward attempts at social conversation that forever haunt us but make great Facebook statuses. We’re taking part in the ‘My Writing Process Blog Tour’, where nominees give details about what they’re working on, answer questions then nominate three other people. So this is basically where we try to convince you we’re proper writers, even though our bank balances suggest otherwise. We were nominated by Roger Jackson. We met Roger through our love of abandoned asylums and setting stories in them. We have Twitter stalked each other ever since. By pure coinkidink Roger’s upcoming novella is also set in a version of Denbigh Asylum and we can’t wait to read it. Here is his blog post part in the tour. Check him out on Twitter: @jabe842 now! Don’t make us get our chappie choppers.

And here are the questions!

1 – What are you working on? Currently we’re on our fifth edit of what we call ‘our plague doctor novella’ but believe it or not, it does actually have a title – The Malignant Dead. This started off as a short story (7K) City of the Dead (we changed the title for the novella due to City of the Dead being an infuriatingly, overwhelmingly popular book title on Amazon. *Curls fists*). It follows the new plague doctor, Alex McCrae in 1645 Edinburgh. The people of Edinburgh fear him in his scary bird-like costume. The previous plague doctor has just died from the plague and the council promised McCrae a large sum of money to take the role, which he plans to use to put himself through the Guild of Barbers and Surgeons. His best friend James spends his time making mad potions in an effort to cure the plague and instead induces his own hallucinations. The council withhold McCrae’s money and start to plot against him as he becomes a problem. They never intended to pay him and hoped the plague would kill him, as it did his predecessor. Unfortunately for them, McCrae won’t die. As well as fighting the council, he is also battling the plague and soon there are more people buried beneath Edinburgh than living in it. And now Edinburgh really is a city of the dead, as their ghosts return to roam between the city’s walls.

It was actually inspired by the real life plague doctor, George Rae, who was promised £100 (about £200,000 today). The council thought he would get the plague and they wouldn’t have to pay him. He survived and spent thirty years trying to get the money. He never did get all of it.

2 – How does your work differ from others of its genre? Generally our horror work is different in that we don’t write about monsters but humans. The horror comes from their twisted minds. Humans are far more evil and dangerous than horror monsters. Also we have a lot of humour in our stories. We can’t help it. We find horror funny. But with The Malignant Dead, it’s different because it’s a historical horror book with many Gothic elements – ghosts, prophetic dreams, a graveyard, doomed romance, etc. Despite loving history (ok, the gory parts), we’ve never written historical fiction before, due to our fear that we’ll get facts wrong and a harsh reviewer will revel in pointing out our heinous crime. So we’ve spent weeks researching everything, from Scottish coins, to plague treatments, clothing, clay pipes, the Covenanters, anatomy drawings from the 17th century, scientific instruments, the history of street lighting, even down to what words were around in 1645. Check out Etymon Online if you’re interested in the history of words. If a word didn’t exist in 1645, it doesn’t go in. We’ve found when men write historical books, it’s about battles or leaning more towards the fantasy genre. When women write historical fiction, it’s almost always romance or set in the court of a famous royal. History was more than just battles and the monarchy. We wanted to write about real, every day history. Ours has a supernatural element which we haven’t come across before. Plus nobody has written a fiction or even non-fiction book about Edinburgh’s 1645 plague. We’ve looked. All the books are about London’s 1666 plague. So research was actually a nightmare. Maybe someone doesn’t want people knowing Edinburgh’s plague existed…*glances around nervously*

3 – Why do you write what you do? We love horror. We live horror. Almost all of our DVDs/VHSs are horror. We grew up watching horror films and when given creative writing projects in primary school, our characters were always chopped into pieces with their body parts displayed artistically. Fortunately our writing has improved, even if our drawings haven’t. In The Malignant Dead, the horror mostly comes from the plague itself. We gleefully describe the blood and pus bursting from the buboes. It was a disgusting time and we don’t shy away from it. We want people to smell the characters’ rotting skin god damn it! SMELL IT! We get ridiculously excited about horror. No other genre makes our minds tingle like that. Though we have to confess (please don’t report us to other writers for this) –  we get our horror fix from films and serial killer documentaries, not books. *Ducks* We’ve read a lot of modern horror from top magazines and we spend our time going “where’s the horror?” We write the horror we’d want to read. Maybe we’re too much from the old school of horror; Dean Koontz, Stephen King etc. We find a lot of horror stories recently too tame with no horror elements at all. But that’s what’s getting published at the moment.

4 – How does your writing process work? We’re different because we write together. There’s no magic formula, unless copious amounts of Red Bull counts – genius in a can. We never plan. Ever. We have a vague idea of a character or a setting or a situation and go from there. Sometimes it’s just an image. One of us writes two pages then we switch and we write like this until the story/book is finished. We don’t redraft until the short story is finished. Then one of us will do two redrafts then we switch until the redrafts reach double figures. If we’re writing novels, we write one chapter then do two redrafts of it each before we write the next chapter. Redrafting a novel consists of reading five chapters at a time until we’ve both redrafted them three times then we move on to the next five. So technically The Malignant Dead is on its fifteenth redraft. We’re not even in the same room when we work. The one who’s writing is outside in our writing shed, which has permanent Halloween decorations and the other is in the house on animal army duty, hanging out online and video editing our ghost hunting episodes. We don’t tell each other what we’ve written or what we think should happen next; we write completely blind. It’s like driving at night without headlights – sometimes there are streetlights to guide you, other times you have no idea where you’re going and you’re hoping you don’t break down by the cannibal’s lair. We like the freedom this creates as the stories go in directions we never expected. Kinda like us when we’re travelling somewhere new – we sometimes get lost and occasionally have a melt down but we get there in the end 😀

And now we have to nominate other authors to take the skeletal arm brand and lead you into their lairs. We mean minds.

Gena MantzFirst up is Gena Mantz, who also writes as Angel Edenburn. She lives in Kansas with her husband and many animals. Gena has published two books and had short stories published in various anthologies. She likes to writes paranormal stories about vampires and werewolves, and in her spare time, she enjoys belly dancing. Check out her blog

 

 

L K JaySecond is L K Jay, who is also an honorary member of our ghost hunting show, Calamityville Horror. She has published eight books and had written over one hundred articles on martial arts. L K is also 3rd Dan in Taekwondo.  Read her blog