Dark Moon Rises

We finally have somedark moon digest issue 17 good news to share – our plague doctor short story, City of the Dead is out now in Dark Moon Digest Issue 17. You can get it here – Amazon UK  Amazon US. Many thanks to the talented Anya Breton for beta reading this version and the novella version. Your expertise is invaluable, especially pointing out when you can’t see the scene because we haven’t described it. We forget not everyone can see into our minds 😀

Synopsis: City of the Dead is a gothic horror set during Edinburgh’s 1645 plague outbreak. The plague doctor dies from the disease after a week, so the Council hires student doctor Alex McCrae, promising him one hundred pounds to cure the wretched pest. However, they can’t afford to pay McCrae and hope he’ll succumb to the disease. Unknown to them, McCrae’s friend, James created an immortality elixir. When McCrae fights for the money he’s owed, the Council decide the plague isn’t the only way to kill a man. But in the city of the dead, it’s not just ghosts who return.

Word of warning though – after writing this story, we extended it into a novella, which is currently unpublished, so if you don’t want to know how the novella ends, don’t read the short story, because the ending is the same.

In other news, October is meant to be the month for all things scary and on October 19th, Cardiff is having a horror con – Scardiff. We’re very excited about it, but we’re also terrified because they have Dragon’s Pen, a pitching panel for writers to pitch their novels to four people in the publishing industry: Adam Nevill, horror author and commissioning editor; Scott Harrison, writer, editor and screenwriter; Dan Coxon, editor of literary magazine Litro; and Christopher Teague, owner of Pendragon Press. The idea is you read a 50 word pitch and the first page of your novel. That’s not the scary part. The scary part is you have to do it in front of an audience, with the potential of having your book torn apart by these guys. In front of everyone. That’s the bit that’s terrifying us. It’s much easier to write a 50,000 word novella than it is to write a 50 word pitch. Ever since we put our names forward, we’ve regretted that moment of boldness and what came over us. It was probably anger. Most of our bravery and productivity is achieved when in a fit of rage.

We’ve been trying to choose between Bleeding Empire, our urban fantasy about the Horsemen of the Apocalypse, and The Malignant Dead, the novella version of City of the Dead *points* (we changed the title because there are way too many books called City of the Dead.) The synopsis above is actually the 100 word version of the pitch, because we were originally told it was 100 words, but now the website says 50, so we’ve done both. Bleeding Empire went down well at the Salem literary festival in May, but we’re not sure it’s horror enough for the panel. Yes people die brutally, but the comedy outweighs the horror. We’d written a pitch for our latest novella, Silent Dawn, which is about three teenagers addicted to a computer game, Silent Dawn: Asylum but the more they play it, the more Silent Dawn erodes their sanity, until they can’t tell reality from illusion. We loved writing the story and it’s straight horror, but we’ve only just finished the first draft, so if they liked it and asked to see the rest of it, we’d be buggered.

Or we can disguise ourselves, give ourselves fake names and read all three and see which one they prefer. If it was just a case of doing a reading, like we did at the festival, it wouldn’t be so bad. But this could potentially land us a publishing deal. And if we pick the wrong book, we could completely jeopardise our chances. This is a massive decision. We can’t make that kind of decision! We struggle to decide which chocolate bar to eat for a snack! Perhaps we should consult the Magic 8 ball, although its advice is often harsh.

“Magic 8 ball, will the pitching panel like Bleeding Empire?”

Magic 8 ball “you may rely on it.”

“Will the pitching panel like The Malignant Dead?”

“YES”

“Should we risk Silent Dawn?”

“Better not tell you now.”

Glares. “Should we risk Silent Dawn?”

“Without a doubt.”

You’re not helping Magic 8 ball!

 

We see a Dark Moon Rising

Issue 6 of Dark Moon Digest is out now. And we’re in it! 🙂 We’ve been waiting since June for it to be released and finally the wait is over. We’re so excited. It’s our first American publication. Hopefully the first of many as long as we behave ourselves and don’t get our names black listed 😀 The Ferryman is an updated version of Chiron but set on a train driven by Chiron’s son, who was forced into the job and is now stuck there. The hero, Hayden, misses his train and ends up on The Ferryman, where he discovers the end destination is quite possibly Hell on earth.

We’re also editing a short story, The Darkshines, a dark story set in a town that is the physical manifestation of the horror of depression. It took us ages to write because we stopped to work on our NaNo novel but it’s now finally shaping up into the atmospheric tale we imagined in our heads.  Once we’re done with that we’ll submit it then continue working on our Twisted Fairytales collection which we’re hoping to epublish this year. We’ve done 3 versions of Snow White and are redrafting our version of Sleeping Beauty. Just have to decide which other fairytales we’re going to twist. Though not sure we can make them more twisted than the original versions 😀