As many of you know, we’ve been in a play – Terry Pratchett’s Witches Abroad by Monstrous Productions. This wasn’t stepping out of our comfort zone, this was being picked up by one one those grabbers in arcades and being dropped into someone’s else’s comfort zone. One, we’ve never acted in anything and two, we’re not great in large groups of people. In fact, it’s only in the last week that we’ve felt able to be more ourselves around people and actually talk to the rest of the cast.

The marvelous crew. Top – bottom: Craig, Sam, Hitch, Alex, Sarah-Jayne (makeup) Hannah, Callum & Ruby
And we’ve been there since November! Bit late we know. Since we stopped participating in the warm-up games, we felt more comfortable and more part of the group. It sounds a bit backwards, but watching rather than participating makes it easier for us to bond with people because we lose the self-consciousness that participation brings, so we can be more ourselves. Though this kinda sounds stalkerish. *Adopts creepy voices* “we like watching you.” We’re also better when we’re in smaller groups, or talking two-on-one.
Wednesday was opening night. Weirdly, we weren’t nervous until about 3 p.m. Then we had to do our breathing exercises until we reached The Gate. Once we were inside The Gate, we were ok. Especially when we went and sat on the stairs by ourselves 😀 We joked on Facebook that we were being our usual anti-social selves, but really we find noise overwhelming so sometimes find small dark, quiet places to retreat to, such as woods, stairwells, morgue fridges… Ruby, who plays the maid Sam, did a fantastic job of making us look scary and keeping us company throughout the play. We had to practise the bows and were given a 15 minute warning. As some people were still having their makeup done, we put our wigs on ourselves. We got lost in all that hair. It took us so long to fight our way free and force the wigs into some kind of submission, we were late to the bowing practice. Curse you, wigs!
Straight after the bows, was the group photo. We were already at the back of the stage when everyone assembled. It wasn’t a deliberate ploy to hide, but when everyone gathered, we could no longer be seen. Which was fine until Craig noticed he couldn’t see us. Goddamn it. Why do people always notice when we’ve gone missing? It seriously hampers our plans and mischief-making. Though we weren’t the only ones hiding, were we, Ellen? 😉
Craig tried to persuade us to go down the front. We don’t mind being lost in a crowd in group photos, but there’s no way in hell we will ever stand at the front. Yes we are two of the shortest cast members, but no. Richard (who played various roles) did threaten to throw us over the top, so Cat warned him that we do indeed, bite 😀 People who don’t know us very well, don’t realise how bloody stubborn we can be. We got our own way in the end, as is proved by the group shot at the bottom of this post.
As soon as it got to scene 18 and we were waiting in the wings, the nerves hit. Luckily, Caroline, who plays Lilith is in the scene with us and she’s a lot of fun, so she helped distract us, as did Craig, who was operating the curtain in the wing Cat was lurking in. Our hearts were pounding the minute we walked on stage. We were certain the audience would be able to see them trying to break through their bony cages. Fortunately, we didn’t trip and the scene went brilliantly. There was even a startled gasp as Caroline offered the mice to us.
Our next scene, scene 29, could have potentially gone wrong. When Granny Weatherwax (Ellen) throws a mouse behind a curtain, we chase it. In the tech rehearsals, we nearly collided with speakers that tried to deny us entry. Luckily we had enough space and even managed to find the mouse. Each night, the audience seemed to like us scampering after the mouse. For scene 36, we came through the door by the audience. As we were waiting with Richard, who plays a guard in this scene, a member of the audience came out.
He looked a little startled to see three cast members lurking. As he trotted down the stairs, Cat called “surprise!” When he returned to the audience, we were loitering by the door on the inside, surprising him again. It’s fun to see how many of the audience notice us standing amongst them. The hardest part about scene 36 (the ball scene) is when Lilith clicks her fingers and we have to freeze. Our eyes burn and it’s extremely difficult not to blink. We failed miserably at this as our eyes were watering and burning throughout the entire scene. But we survived the opening night! Only 4 more runs to go…
Here’s the review Wales Online wrote about opening night. And here is the one from Mithril Wisdom.
Night 2 started brilliantly – we took Cards Against Humanity backstage. We have the bigger, blacker box with every expansion, including the two new ones. What started out with four players, soon turned into 14. Unfortunately, we only had 20 minutes to play, but it was still fun.
We managed to sneak a look at our headshots in the programme before they were whisked away to be sold. We’ve been dreading them, because we normally take hideous photos, but Craig’s worked a miracle and they are actually decent photos. It’s a good job we didn’t spend money on smiley face cover-up stickers. Plus putting stickers over our faces in every programme would’ve been very time-consuming. We may have to hire him for our author events and Calamityville shenanigans.
Night 2 went really well. We weren’t as nervous and our hearts didn’t pound when we were on stage, so we consider that a success. We also haven’t face planted yet, though there’s still time. Our former psychologist, Neil came to this performance, so after our character photos, we joined him in the bar. We haven’t seen him since he retired in July, so it was great to catch up.
It was only a few years ago that Neil had to fight to get us to go into Starbucks, now because of him, we’re in a play. We don’t have many talents in life, but alongside getting lost, getting locked in places is one of them. We usually get locked in pubs, bars or even bowling alleys with our mate, Andrew, and we’ve been accidentally locked in Pembroke Castle. This time, us and Neil got locked in The Gate. We battled with the locks, rattling the door and flicking up locks on the other door, only for the barmaid to come and press a button beside the door. It immediately opened. It’s not the first time during this play that we’ve embarrassed ourselves with a door.
Night 3 was a little different. Or rather, our makeup was a little different. Zoe painted our teeth to look like we had pointy teeth.
We loved them. They were suitably creepy. In the other performances, we didn’t open our mouths, which made little sense when one of Nanny Ogg’s lines is: “I’ve never seen teeth like those on anyone before.” Now we could grin menacingly. We made sure to warn Caroline before our scene with her, so we didn’t freak her out when she offered us the mice.
When word spread about our teeth, other members of the cast wanted to see them. They were impressed and creeped out. Strangely, we found ourselves smiling more at everyone when we knew they found our teeth frightening. Before the show started, we nipped out with Ruby to get food, forgetting we were in full snake makeup. Oddly, we got less weird looks than we do when we go out normally. This says a lot We once again had to fight with our wigs – the fringes were so long that when we put the wigs on, we couldn’t see our faces in the mirror to adjust them. We looked like Cousin It after getting struck by lightning.
Backstage, we were treated to a unique experience – watching Death (Alistair) twerking by his scythe in full costume. It’s not something you see every day and we’re glad we got to witness it. This time whilst we waited outside the theatre doors with Richard before the ball scene, instead of frightening audience members, the three of us practised our serial killer smiles. Despite our snake teeth, Richard won.
After the play finished, we met up Neen, and her wife, Zoe in the bar. We overheard a guy saying something about the snake twins and how different they look in real life because they’re Goths. By this point, we were dressed in our usual clothes and had removed all the makeup. Except the teeth. We loved the teeth and refused to wash them off.
He turned around and saw us sitting at the table behind him. So we flashed our pointy teeth at him. Rather than fleeing the bar in terror, he came over to speak to us. He said he really enjoyed our scenes and found it really creepy when Caroline pretends to feed us the mice. It seems everyone except us finds that scene unnerving. Maybe we’ve been snake owners for too long! He also enjoyed us scampering off after the mouse Ellen throws. He couldn’t believe how synchronised we were.
Day 4 was going to be a long day. There was a matinee performance for the first time, as well as an evening performance. Between performances, we made a mad dash to our favourite chip shop, Younger’s, which is in Birchgrove. Not exactly near The Gate. We didn’t bother taking off our snake makeup. At first, the boys in the chippie didn’t seem to notice, which left us wondering if we always look this weird. But then one of them asked what the occasion was. When we explained we were in a play and we were the creepy snake twins, his response was: “of course you are.”
We started the evening performance tweeting with a member of the audience, which was fun. Rules of Play were celebrating TableTop Day downstairs and it was really tempting to join them, as we were missing out on going to Counters, the board game event our friends run in Ponty. Unfortunately, the game event made things very difficult for us and Richard: when we were waiting to come on for the ball scene, we couldn’t hear a word that was said on stage. The three of us were pressed up against the door, desperately trying to listen for our cue to enter. Luckily, Tony, who played Jason Ogg, was great at projecting. Usually we hear him clearly, but even he was almost impossible to hear. Thankfully, nobody left the theatre at that point, or they would’ve sent the three of us flying backwards down the stairs, with Richard’s spear tumbling after us and probably taking out someone’s eye. In the play, we can only be defeated by magic and being stamped on, but in real life, a door to the face would have done the trick. The matinee was filmed and will be posted on YouTube. We were nervous when we found out it was going to be filmed and were convinced that would be the moment we fall down the steps with our wigs skidding across the floor. Because this is what happens when we’re being filmed. In normal life, we never fall over, but as soon as the Calamityville Horror cameras start rolling, we turn in to trip hazards. Luckily we didn’t trip because we wouldn’t have been able to synchronise that.
And no, we never did get the hang of those damn wigs.
Special thanks to Ruby, for not only persuading us to take part, but also for doing such a good job with our makeup and letting us know when our scenes were coming up. Thanks to Ruby, Zoe, Pat, Caroline and Craig for keeping us amused during rehearsals and throughout the shows. And thanks to Ellen for making us feel welcome and Nick for letting us keep the snakes 🙂 Thanks to Amy for wanting us in the play, Ed for making rehearsals fun, and Hannah for making sure we were ok. Also, big thanks to our mum, Lynette, sister, Sarah, our mates Neen, Zoe, Tom, Amy, Bryn and Jo, our former psychologist, Neil and our zumba instructor, Julia and her two sons who came to see us. We really appreciate the support. Show week has been our favourite week of all. We feel we got to know people a bit better, even if it was a little late.
Over 700 tickets were sold for Witches Abroad, with the four nights selling out. £3,350 was raised for Alzheimer’s Research, which takes the total amount raised from all the plays to £11,000! Auditions for the next play, Night Watch will take place 11th-14th May (subject to change). Men especially are wanted! Email monstrousproductions2012@gmail.com for an audition pack.
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Photos by Craig Harper